What is the best element about being a photographer, and most challenging?
My photographs are a kind of diary about 50 years of Munich city history, which will live on in the Munich city archive after my death. Like in a mirror, later generations can relive and judge the people and events of my time. A challenge, however, is to archive around 600,000 photos as negatives, slides and files so neatly that you can immediately find the right photo for every keyword even in 100 years.
To you, what is the role photography has in the world?
A photo is worth a thousand words!
What one important lesson has your work taught you?
“Don’t take yourself so seriously!” Because there are so many nice people who also take beautiful photos!
What is currently really getting you frustrated or annoyed?
In the years of analog photography, you had to personally bring the colour slides or paper prints to the editorial offices, chat with the editors and colleagues over a cup of coffee, hear the latest gossip and maybe get the next job. Since the digital revolution, however, one no longer speaks to each other, one only writes impersonal e-mails, sends the photos via the server and no longer sees the people with whom one does business – sad, but it can no longer be changed.